![]() Instead, it’s all raised thighs and thrusting butts as Martin tops Tomas. There are no penis close-ups like the one Infinity Pool gave us. In fact, you don’t actually see anything overly explicit when Rogowski and Whishaw start fucking. ![]() It’s so electric and so ferocious that of course Tomas would want to leave Martin when he disapproves. You need to believe this immediate attraction between them to make sense of everything that happens next. That’s why this sex scene is so pivotal to Passages as a whole. ![]() It’s almost impressive how narcissistic he is, yet there’s something uncomfortably appealing about it: Tomas is the ultimate sexy fuckboy. He thrives on instinct, doing what he wants and who he wants without any regard for others. Tomas dominates the frame, and that’s because he’s the driving force here, the one whose newfound attraction sets the stage for all the chaos that follows. Director Ira Sachs simply films what he sees with a long take that watches on as Tomas and Adele make each other come, uninterrupted. Tomas in particular seems overcome with lust, hands everywhere, but there’s nothing gratuitous about the sex itself. That’s not all that pulsates: Back at Agathe’s place, things immediately turn physical. “Most people don’t even dare to ask the things that he did, and they’re more respectful.” #url# Blue is the Warmest Colour Star Dishes on the Film’s Controversial, Much-Maligned Sex Scenes
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